Mechanics of Conformity (MOC Collective)
Rosamaría Bolom, Edwina Goldstone, Sepideh Raha, Arlene Tucker Video screening and discussion in and around the topic of hair Hosted by Äkkigalleria, Väinönkatu 32, Jyväskylä October 5, 2019 from 13:30-16:00 Welcome to participate in an intimate conversation with MOC, where we can listen, share and learn about each other’s experiences related to hair. Your thoughts contribute to a deeper understanding of our collective and individual histories. Only through dialogue can discoveries be made. How do we look at ourselves? How do they look at us? How do others look at each other? MOC investigates the excess, absence, cutting, covering, growing, coloring and grooming of hair as both the materialization of individuality and of conformity. As an artistic medium and mediator of meaning, hair can communicate a sense of self relating to the internal and the external others. From this perspective, it can either uphold or upset conventional distinctions between divisions of gender, race, region and religion. These issues around hair can epitomize a global yet subjective social and personal significance. MOC Collective consists of Rosamaría Bolom, Edwina Goldstone, Sepideh Raha, and Arlene Tucker. We explore concepts of identity, relationships, perceptions, liberation and otherness through hair. Ask a person about their hair, and they just might tell you the story of their life. MOC has been working around the subject of hair since 2017. This event is organised in collaboration with Anna Ruth and Äkkigalleria, also is supported by Taiteen Edistämiskeskus. The discussion and screening is open to everybody and to all ages. The main language of the event will be conducted in English. There is the possibility for Finnish translation and, of course, freedom to express oneself in Finnish is encouraged. Video lineup: The Story of Hair Tree & Intertwined By Arlene Tucker 2019 The Story of Hair Tree & Intertwined shows the process of how these two projects were developed and created. Intertwined looks at how family members relate to each other despite their shared DNA. Here, the concept of family also extends to individuals welcomed by choice. This piece is a continuation of Arlene Tucker’s Hair Tree (2017), which gathered family members scattered over four continents by collecting cuttings of their hair. Moving back in time, she attempts to comb through memories to understand where and how knots are formed. Tucker hopes this will further open dialogue about family and with family. Watching Me, Watching You, Watching Me By Edwina Goldstone 2018 Watching Me, Watching You, Watching Me, follows the metamorphosis of an image through many stages as it follows the twists and turns of the artist’s decision-making and memory process as she recalls and connects past & present conversations about ‘Hair’, with all the ambivalent, contradictory ideas and mixed feelings that are attached to it. Added together as an animated sequence the drawings form a peculiar imaginative narrative that never remains constant but grows and morphs with thought and time. Me recuerdo a mi misma // I remember my self // Muistan itseni By Rosamaría Bolom 2019 Year 2017, Mechanics of Conformity Collaboration lead me to a deeper reflection about how norms and values are introjected into our behavior since our childhood. A series of images came to me. I could remember three efficient rituals whose normative beliefs affect behavior. Me recuerdo a mi misma // I remember my self // Muistan itseni, is a “mask and a ritual for a society that judges us and teaches us how to behave ourselves from childhood to old age not to be punished, excluded accepted”. Entangled – ME & HAIR By Sepideh Rahaa 2018 Entangled – ME & HAIR is an ongoing project where I address my memories and experiences in relation to hair, where hair plays a meaningful role in my daily life interactions with people in society. It brings up questions such as how do we connect and disconnect from each other in relation to our looking, and how one can overcome the mechanism of conformity in everyday life. I used a series of life memories and experiences conveying the core concept through performing art, poetry and video. https://mechanicsofconformity.weebly.com/
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AuthorArlene Tucker is an artist, diversity agent, and educator currently based in Joutsa, Finland. Archives
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