Free Translation Sessions with JAC
Welcome to Free Translation Sessions with JAC (The Justice Arts Coalition) on the following Thursdays, June 11th, 18th, 25th, and July 2nd on ZOOM from 12:00 - 1:30 pm EST (9am California, 12pm NYC, 7pm Helsinki)
On June 11th we will make a translation of a work by Оксана Крутицкая (Oksana Krytickaya).
On June 18th we will have an open discussion about your translations with Оксана Крутицкая (Oksana Krytickaya).
On June 25th we will make a translation of a work by Tomas.
On July 2nd we will have an open discussion about your translations with Tomas.
Free Translation is a multi-disciplinary project showcasing international works by currently and formerly incarcerated people, and anyone affected by imprisonment. In these sessions we use translation techniques as a means of creatively interpreting works of art and word. This means that we interpret the meaning of the works and create new works of art based on the translations. This can be a translation into another language or another medium. For example, a poem can be manifested into a photograph and a drawing can be written as a letter. In this way, we make new works of art and literature, and attempt to understand each other and open up dialogue.
During the 90 minute open art making session we will create translations of the works by Оксана Крутицкая (Oksana Krytickaya) and another Free Translation artist to be announced later. In the following sessions we will then speak with the artist and review the translations of their work. With your consent, artworks will be added to the Free Translation exhibition for the general public to see and continue the dialogue.
PURCHASE TICKETS FOR THIS WORKSHOP SEQUENCE, AS WELL AS JAC'S OTHER CREATE + CONNECT EVENTS, AT THIS LINK: https://bit.ly/3cAW8iV
About the facilitators:
Anastasia Artemeva is a visual and socially-engaged artist and researcher. Anastasia was born in Moscow, Russia, and lived in Ireland for many years before moving to Helsinki. Her socially-engaged creative projects explore and create space for communication and interaction. Conceptually, its activities are based on codes of social norms and accepted truths, which are influenced by socio-political, cultural and personal limitations and boundaries. Anastasia works in the genre of drawing, art installation, performance, creates artwork for theatrical productions and conducts art workshops.
Arlene Tucker is an artist and educator, and her work focuses on adding play elements to daily life through her art. Inspired by translation studies and animals she finds ways to connect and make meaning in our shared environments. Her process-based artistic work creates spaces and situations for exchange, dialogue, and transformations to occur and surprise all players. She is interested in creating projects that open up ideas and that engage the viewer; that invite the viewer to be a part of the narrative or art creation process. In translation, your participation continues to propel the story.
Free Translation Sessions is a collaboration of two projects both based in Helsinki: Prison Outside and Translation is Dialogue (TID). Prison Outside is an independent project founded in 2015. The research behind this project is centered on the subjects of imprisonment, justice, and the role of the arts in the relationships between people in prisons and people outside. TID is an art installation that generates a new project every time it is presented. TID uses translation techniques to not only produce art, but also understand what is being communicated. https://prisonspace.org https://www.translationisdialogue.org
The Justice Arts Coalition is a national network and resource for those creating art in and around the criminal legal system. https://thejusticeartscoalition.org/
Very excited to announce that our article, Process as the medium for socially engaged art, has been published in IMAG#7! Big thanks to InSEA and the editorial team- Ângela Saldanha, Bernadette Thomas and Teresa Torres de Eça.
"IMAG number 7 presents a collage of different essays created by InSEA members. When we initiated this issue we wanted to make visible the diverse range of art education practices in formal and non-formal settings and to invite the readers to engage in a visual journey; a process of ‘encountering others’. There is no filter on what should or should not constitute art education. Rather, here we have a mosaic of approaches; of ways of making and ways of understanding the role of art education in the schools, museums; universities and communities. We travel according to the last InSEA roads through the encounters generated during InSEA seminars and congresses. The journal opens with a story told by Steve Willis, current Vice President of InSEA, where he shares impressions, feelings and thoughts about his experience during the InSEA seminar in Walvis Bay, Namibia (Encounters with Otherness to achieve Knowingness).
As our journey continues, the reader meets Korinna Korsström Maggatröm-Magga (North Calling); Anastasia Artemeva and Arlene Tucker (Process as the medium for socially engaged art); Phivi Antoniou (Cyprus) and Dina Adel Hassan (Egypt). The northern authors reveal community art practices and social engaged intercultural projects in Finland and Russia. In the same section a different encounter invites the reader to learn about other socially engaged art education experiments in Alexandria, Egypt, with Dina Adel Hassan who describes using images, an experience conducted with Children at Risk in Egypt."
Download The full ISSUE ( PDF 17,9 MB) or individual chapters.
Otherness as a Form of Knowingness
Process as the medium for socially engaged art
Anastasia Artemeva and Arlene Tucker
Field Experiments in Visual Arts: Children at Risk, Homeless Children
Dina Adel Hassan
People, Stories and Histories of Strovolos III – Public art, social engagement and situational practices
The past in the present
Educating through design | Eduquer par le design: Naissance d’un club de design
Maktab Gammarth Toursom
Myriam Errais Borges
Elisavet Konstantinidou & Eva Pavlidou
Exploring artistic and cultural identity through an
art curriculum unit
Pensar, espacio, piel. Un ensayo visual desde nuestra experiencia como a/r/tógrafas. | To think,
space, skin.A visual essay from our experience as a/r/tographers.
María Martínez Morales; María Isabel Moreno
Montoro and Nuria López Pérez
“Art Lab x Kids: art as an instrument for discovery
and knowledge”: a visual literacy Project
In the summer of 2018, I was honoured to have spent a very hot and inspiring afternoon with Alison Cornyn, an interdisciplinary artist whose work often focuses on the criminal justice system. On the back balcony of her Brooklyn home with construction whirring, hammers going, and sweat beading down our foreheads, we covered a lot of ground that could have gone on for kilometers on end. Perhaps the banging of the neighbors gave us a beat to wander off on all tangents surrounding the topics of incarceration, social justice, art, and expression.
"The name of the project came about because for so many of the girls were deemed “incorrigible”, this one woman Lyla in particular - her offence was being “incorrigible”. I remember I photographed Ella Fitzgerald's intake record for Nina Bernstein who wrote for The (NY) Times (and who is the person who found that Ella had been at that institution). Ella's offence was being "ungovernable, and will not obey the just and lawful commands of her mother - adjudged delinquent.”
"Language is so important to this project and the language of how a young woman is deemed something. Even the term incorrigible sounded so old fashioned to me I didn't think it was used anymore and then I looked up just to double check: “unable to be reformed or corrected”. Research has shown that 70 percent of those (incarcerated) girls (in New York) are marked today still as incorrigible. And I had wanted to have young women be involved when the exhibition was up at the Bronson House and almost stand in for the women who are no longer with us but whose stories need to be shared."
"These are the words that the girls came up with that they found or that were used to define them, (by others): wild, unruly, defiant, wayward, delinquent, disobedient, incorrigible, ungovernable.
And then these are the words that they used to define themselves and these other girls who they were researching: free, proud, strong, survivor, imaginative, determined courageous and free spirited."
In the end, our audio recording lasted hours. Anastasia Artemeva transcribed the interview and published it on Prison Space. To read the whole interview in English, please click here. Read in Russian click here.
If you were wondering, according to Merriam-Webster dictoniary:
in·cor·ri·gi·ble | \ (ˌ)in-ˈkȯr-ə-jə-bəl, -ˈkär-\
Definition of incorrigible: incapable of being corrected or amended: such as
a(1) : not reformable : depraved
(2) : delinquent
b : not manageable : unruly
c : unalterable, inveterate
Becoming a Diversity Agent
I am very happy to announce that Anastasia Artemeva and I have been awarded to be a part of Diversity Agent Course. We will be working with Vankila Museo (Prison Museum) in Hämeenlinna, Finland to help guide them on how to keep inclusivity and diversity in the forefront of their museum developments. From our experiences with building Prison Outside and Free Translation and being migrant artists, we hope to offer them a critical eye on how to raise discussions around social justice through participatory arts.
"In 2019, Culture for All Service, Globe Art Point and the Center for Cultural Policy Research Cupore organize a Diversity Agent Course for cultural workers and artists of non-Finnish origin or background. The course is part of the project Avaus and supported by the National Agency for Education.
The aim of the course is to offer tools for developing diversity in the arts and culture sector. The course introduces participants to topics related to diversity, familiarizes with the arts and culture sector and cultural policy in Finland and offers an opportunity to work concretely with diversity in an institutional context. Participants are asked to actively contribute their own expertise and offer sparring to each other."
To read more about the project, please click here. Training material can be downloaded here. You, too can promote diversity within the arts and cultural field.
Special thanks to Martina Marti for her constant support, guidance, and encouragement!
*Текст на русском языке ниже*
>English version below<
Tulkitaan vapaita käännöksiä
Tervetuloa meidän taiteen tekemisen sarja. Katsomme ja keskustelemme taiteellisista töistä, jotka ovat saapuneet eri puolilta maailmaa vastauksena vapaiden käännösten (Free Translation) avoimeen kutsuun. Teoksia ovat luoneet ihmiset, joihin on vaikuttanut vankeus, ja ne ovat olleet esillä MAA-tilassa marraskuussa 2018. Kaksituntisen tapaamisen aikana tutustumme teoksiin ja kuulemme tarinoita niitä luoneilta ihmisiltä, joista monet ovat tälläkin hetkellä vankilassa. Tämän jälkeen teemme käännöksiä, vastauksia taideteoksille, ja lataamme ne verkkonäyttelyyn, jossa myös taiteilijat ja suurempi yleisö voivat osallistua dialogiin.
Käännökset voivat olla visuaalisia, kirjallisia, kuunnelmia, valokuvia tai muita ilmaisumuotoja. Olet tervetullut tuomaan valitsemiasi materiaaleja – tai vain tuomaan itsesi.
Paikka: Bokvillan Kirjasto, Hämeentie 125, 00560, Helsinki
Milloin: 5. marraskuuta, 2. huhtikuuta, 7. toukokuuta
Aika: klo. 15.30-18.30
Kielet: Suomi, englanti, venäjä
Kenelle: kaikkien ikäisille
Lisätietoa tapahtumasta meihin voit ottaa yhteyttä Anastasia Artemeva ja Arlene Tucker sähköpostilla osoitteeseen info(at)prisonspace.org.
Interpreting Free Translations
Welcome to our art-making sessions. We will view and discuss artworks received from all over the world in response to the Free Translation open call. These artworks are created by people affected by incarceration, and exhibited in MAA-tila in November 2018. During the two hour session we will view the works and hear the stories of people who created them, many of whom are currently in prison. We will then create translations - responses to the artworks and upload them on the online exhibition, for the artists and for the general public to see and continue the dialogue.
The translations can be visual, written, audible, photographic, or in any other form. You are welcome to bring materials of your choice - or simply bring yourself.
Place: Bokvillan Library, Hämeentie 125, 00560, Helsinki
Date: March 5th, April 2nd, May 7th
Languages: English, Russian, Finnish
All ages are welcome
For more information please contact Anastasia Artemeva and Arlene Tucker at info(at)prisonspace.org
Интерепретируя Свободный перевод
Добро пожаловать на встречу по теме выставки Свободный перевод. Мы будем изучать произведения искусства, полученные из разных стран мира, и созданные людьми, на судьбу которых повлияло ограничение свободы. Эти работы были показаны на выставке в пространстве MAA-tila в Хельсинки в ноябре 2018 года.
В течение трехчасовой встречи мы рассмотрим рисунки, услышим стихи, и узнаем личные истории авторов работ, многие из которых в настоящее время находятся в тюрьме. Мы создадим свои собственные творческие работы, интерпретируя, “переводя” услышанное и увиденное, и загрузим из на сайт онлайн выставки, где их увидят авторы и публика.
Мы будем писать письма, рисовать, фотографировать, и использовать разные другие формы художественного самовыражения. Приносите любимые материалы, или просто приходите.
Место: Библиотека Kafilla Bokvillan, 00560, Hämeentie 125, Helsinki
Дата 7 мая 2019 года
К участию приглашаются взрослые и дети любого возраста.
Arlene Tucker is an artist and educator currently based in Helsinki, Finland.